Kalup Linzy (born July 23, 1977) is an American video artist and performance artist who currently lives and works in Tulsa, OK. His performances are characterized by their low-tech quality and themes of community, socializing, family, the church, sexuality and homosexuality.
While he was growing up, his mother was in and out of mental facilities and his father became paralyzed after suffering a stroke. This affected Linzy emotionally. He also secretly struggled with his sexuality and only revealed it to close relatives and friends who asked.Stillman, Nick, "Kalup Linzy" , Bomb, Summer 2008. Retrieved on July 25, 2011.
He would eventually explore sexuality, along with race, gender, stereotypes, and cultural identities, in his art. Linzy pushes the boundaries of gender in his work through dressing himself and other characters in drag, using pre-recorded voices or manipulating voice through video editing, and playing with different dialects. The soap opera character maps are extensive and he charts family trees and detailed personas to bring them to life. He also uses friends with little or no acting experience for some parts. In addition to video work, Linzy performs on stage, writes songs, and collaborates with other artists.
In 2003, he moved to New York City to pursue a career in the arts. In 2005, his participation in a group show at The Studio Museum in Harlem and a project at Taxter and Spengemann Gallery in Chelsea, led to a review in The New York Times by Holland Cotter that opened with the statement "A star is born...". Linzy went on to receive numerous awards, recognition, and opportunities. He has been honored with awards and grants include The Louis Comfort Tiffany Foundation grant, the John Simon Guggenheim Memorial Foundation Fellowship, a Creative Capital Award, an Art Matters grant, The Jerome Foundation grant, The Harpo Foundation grant, and The Headlands Alumni Award residency. His work is included in many private and public collections. Among them are The Museum of Modern Art, The Studio Museum in Harlem, The Whitney Museum of American Art, The Metropolitan Museum of Art, The Birmingham Museum of Art, The Rubell Family Collection and the collection of Martin and Rebecca Eisenberg. He has lectured at universities and colleges across the country including New York University and Harvard University.
Linzy has worked and collaborated with many well known artists, celebrities, and fashion designers. Among them are James Franco, Chloë Sevigny, Natasha Lyonne, Liya Kebede, Leo Fitzpatrick, James Ransone, Dan Colen, Nate Lowman, Diane von Furstenberg, Proenza Schouler, Michael Stipe, Tunde Adebimpe and the band TV on the Radio. His work has been featured at numerous film festivals that include Sundance Film Festival, Tribeca Film Festival, London Lesbian and Gay Film Festival, and Outfest. He has also been featured in numerous magazines including New York Magazine, V, W, Out, Interview, which featured an interview with his friend Chan Marshall, Artillery Magazine, in which he was the cover story, and in May 2014 he was featured in a six-page spread in Harper's Bazaar, Hong Kong.
In 2010, he was invited by and featured on General Hospital alongside James Franco playing Kalup Ishmael. He performed Route 66 (song). In the summer of 2011, Linzy produced the video and performed in A Heavenly Act, an opera by Italian composer Luciano Chessa commissioned by SFMOMA with a libretto by Gertrude Stein. A Heavenly Act premiered on August 19, 2011, at the Yerba Buena Center for the Arts in San Francisco, in a staged production by the Ensemble Parallèle.Brett Campbell, "Saints Alive", San Francisco Classical Voice, August 9, 2011. In 2012, while teaching a performance studies course at New York University, Linzy appeared with butoh artist Edoheart in an art reality show.
Linzy's work was featured in the 2016 Atlanta Biennial curated by Daniel Fuller, Victoria Camblin, Aaron Levi Garvey, and Gia Hamilton. In 2021, Linzy's film OK was an official selection of both the Circle Cinema Film Festival and the Video Art and Experimentation Festival where it was part of the Beauty, Sex and Shame program.
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